In Millennials, Morau portrays a generation given the world at their fingertips, yet struggling with a sense of not truly belonging anywhere. With a strong, cinematic visual language and music by Scott Walker and Caroline Shaw, the stage becomes a space for hyper-communication, singular experiences, and a modern loneliness where the word “commitment” can be as intimidating as it is enticing.
In Hasard & Boléro, Sita Ostheimer draws inspiration from Maurice Ravel’s legendary Boléro and the rhythms of the Spanish dance tradition. In collaboration with newly composed music by Yehezkel Raz, she explores pulse, repetition, and the limits of the human body. From still, almost hypnotic movements to an ecstatic crescendo where the dancers are pushed to their utmost focus and physical capacity, rhythm becomes both driving force and resistance, pulling the audience into a collective thrill.
The evening is unified by MiR Dance Company, whose dancers move between the two works, allowing these entirely different choreographic worlds to meet in a single performance. The contrast between Morau’s precise, image-rich stage spaces and Ostheimer’s raw, physical immediacy creates a poetic friction, where questions of community, loneliness, desire, failure, and new beginnings take physical form.
